Tualim.net - Tekil Mesaj gösterimi - Jean Antoine Watteau Eserleri - Jean Antoine Watteau Tabloları

**Gökkuşağı** · 14.11.11, 20:55

Jean Antoine Watteau Eserleri - Jean Antoine Watteau Tabloları - Jean Antoine Watteau Resimleri

Pilgrimage on the Isle of Cythera, 1717, Louvre. Many commentators note that it depicts a departure from the island of Cythera, the birthplace of Venus, thus symbolizing the brevity of love.

Pilgrimage to Cythera is an embellished repetition of his painting of 1717, and exemplifies the frivolity and sensuousness of Rococo painting. (1721, Berlin)

L'Enseigne de Gersaint (1720): In one of Watteau's last paintings, the portrait of Louis XIV and his own artworks are being packed away. The painter had no reason to expect that his name would be remembered long.

Watteau's commedia dell'arte player of Pierrot, ca 1718–19, traditionally identified as "Gilles" (Louvre)

La Boudeuse from the Hermitage Museum: "Flirting coquettishly yet innocently, the artist's imaginary heroes – the deliberately indifferent lady and her insistently attentive cavalier – are shown with gentle irony. Their fragile, elegant world is dominated by a lyrical mood with just a touch of elegiac melancholy."

Capitulaciones de boda y baile campestre, c. 1711, Museo del Prado.

La cancion de amor, h. 1717.

El indiferente, 1717.

La famiglia di Mezzettino

Los placeres del baile (1717), Dulwich Picture Gallery, Londres.

Kaynak: wikipedia

14.11.11, 20:55	#1
Kullanıcı Profili Gökkuşağı Moderator Tualim.NetGökkuşağı Kullanıcı Bilgileri Üyelik tarihi: Oct 2009 Yaş: 42 Üye No: 375 Mesajlar: 1.927 Konular: 1568 Bulunduğu yer: Ankara	Jean Antoine Watteau Eserleri - Jean Antoine Watteau Tabloları - Jean Antoine Watteau Jean Antoine Watteau Eserleri - Jean Antoine Watteau Tabloları - Jean Antoine Watteau Resimleri Pilgrimage on the Isle of Cythera, 1717, Louvre. Many commentators note that it depicts a departure from the island of Cythera, the birthplace of Venus, thus symbolizing the brevity of love. Pilgrimage to Cythera is an embellished repetition of his painting of 1717, and exemplifies the frivolity and sensuousness of Rococo painting. (1721, Berlin) L'Enseigne de Gersaint (1720): In one of Watteau's last paintings, the portrait of Louis XIV and his own artworks are being packed away. The painter had no reason to expect that his name would be remembered long. Watteau's commedia dell'arte player of Pierrot, ca 1718–19, traditionally identified as "Gilles" (Louvre) La Boudeuse from the Hermitage Museum: "Flirting coquettishly yet innocently, the artist's imaginary heroes – the deliberately indifferent lady and her insistently attentive cavalier – are shown with gentle irony. Their fragile, elegant world is dominated by a lyrical mood with just a touch of elegiac melancholy." Capitulaciones de boda y baile campestre, c. 1711, Museo del Prado. La cancion de amor, h. 1717. El indiferente, 1717. La famiglia di Mezzettino Los placeres del baile (1717), Dulwich Picture Gallery, Londres. Kaynak: wikipedia __________________ Gökkuşağı Konu Gökkuşağı tarafından (23.12.11 Saat 21:48 ) değiştirilmiştir..